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WHAT CLARION MEANS TO A MINORITY WRITER

September 13, 2022 by MichaelMunoz

This year I experienced the most transformative event in my life – I attended Clarion UCSD, the writer’s workshop that changed me in ways I didn’t imagine. For those who are not in the know about Clarion, it’s an writers’ workshop in San Diego that lasts for six weeks. I liken it to a Battle …

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[Women in Genre, Day 29] Catherynne M. Valente and a Fairy Tale Narrative

September 13, 2022 by MichaelMunoz

Who reads genre and doesn’t know who Catherynne M. Valente is? I suppose such people exist, but I don’t concern myself with them. I have certainly heard of her work as early as 2008 when a few late-to-the-game reviewers picked up her The Orphan’s Tales: In the Night Garden. First, I took notice of the cover, then …

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[Women in Genre, Day 28] Shanna Germain and Janine Ashbless Bring Sexy Back

September 13, 2022 by MichaelMunoz

Let’s talk about sex, baby.Let’s talk about genre and kink. Not the best Salt-n-Pepa rewrite admittedly, but it serves as an appropriate introduction to these wonderful, wonderful editors. I’m breaking my rules (I’m a bad boy, deal with it), because each day should celebrate a single woman in genre, but both Germain and Ashbless are …

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[Women in Genre, Day 26] Galen Dara and Visions from Beyond

September 13, 2022 by MichaelMunoz

Genre escapes one unanimous definition as all big and rich things should and have. I often seek a definitive concept when it comes to genre, but that’s not really how it goes now, does it? Genre has the ultimate power to include, though it seems we devote time and resources to draw lines in the …

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[Women in Genre, Day 25] Anne Lyle and Historical Sexuality

September 13, 2022 by MichaelMunoz

Once I mentioned how important Gemma Files became to me for her fearless inclusion of strong, gay characters as protagonists in a narrative, which prior to “A Book of Tongues” has featured a binary couple almost exclusively. I can’t speak about every book ever published, but it certainly felt like it was the only book …

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[Women in Genre, Day 25] Anne Lyle and Historical Sexuality

September 13, 2022 by MichaelMunoz

Once I mentioned how important Gemma Files became to me for her fearless inclusion of strong, gay characters as protagonists in a narrative, which prior to “A Book of Tongues” has featured a binary couple almost exclusively. I can’t speak about every book ever published, but it certainly felt like it was the only book …

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[Women in Genre, Day 24] Ellen Datlow and Stories in Darkness

September 13, 2022 by MichaelMunoz

I honestly can’t speak about Ann VanderMeer and not continue the conversation with another of the most prolific editors in genre, Ellen Datlow. Datlow works in the shadows of genre and has a keen eye for twisted stories to terrify and delight the reader. I’m not saying anything new under the sun, because Datlow has been …

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[Women in Genre, Day 23] Ann VanderMeer and the Collector of Stories

September 13, 2022 by MichaelMunoz

Having completed several short story anthologies and collection and reading others, I have been thinking about short fiction more and more. There’s something to the brevity and the intensity of the narrative as a story rushes into fruition in a strict, clearly marked space. Even the silent ones, when written right, can leave just a …

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[Women in Genre, Day 21] Amal El-Mohtar and Words of Beauty

September 13, 2022 by MichaelMunoz

Yesterday, I touched upon my preference for beautiful prose. Consider me shallow, but I find the better stylists among SFF authors to tell a superior story, because well-crafted prose creates more depth and nuances than straightforward prose in service of a plot or character development. Yes, the latter two matter in general, but superior writing …

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[Women in Genre, Day 20] Lauren Beukes – The Powerhouse from South Africa

September 13, 2022 by MichaelMunoz

I can’t celebrate Women in Genre without Lauren Beukes – a true powerhouse from South Africa with experience as a journalist in some of the most dangerous cities in the world. I first heard of Beukes through Angry Robot, who published Beukes’ “Moxyland” as one of their first titles and have since published her second novel “Zoo …

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